1 00:00:20,220 --> 00:00:22,120 [ Man ] Opening. 2 00:00:22,160 --> 00:00:24,760 [ Door Buzzes ] 3 00:00:24,800 --> 00:00:26,740 Thanks. Bobby Simone. 4 00:00:26,770 --> 00:00:28,310 How's it going, Ray? 5 00:00:29,630 --> 00:00:33,400 How do you think? I'm in the system here, Bobby. 6 00:00:33,440 --> 00:00:36,750 Yeah, they brought you down for your appeal hearing, huh? 7 00:00:36,780 --> 00:00:39,120 My appeal. [ Scoffs ] 8 00:00:39,140 --> 00:00:41,210 Hey, you never know, right? That's right. 9 00:00:41,250 --> 00:00:43,250 'Cause you heard about the trial, right? 10 00:00:43,280 --> 00:00:45,810 That little genius from Legal Aid gets me three to five. 11 00:00:45,850 --> 00:00:48,450 I'm just the lookout. Meanwhile, the principals, 12 00:00:48,490 --> 00:00:50,930 they mention a few names, they're on the street already. 13 00:00:50,960 --> 00:00:53,300 I'm just talking about justice here, Bobby. 14 00:00:53,320 --> 00:00:56,390 And I asked you to help me out at the time. You turned your back. 15 00:00:56,430 --> 00:01:00,010 Is this why you asked me to come down here, so that we can go over all of this again? 16 00:01:03,300 --> 00:01:05,770 I'm sorry. I‐‐ 17 00:01:05,800 --> 00:01:08,440 I just‐‐ 18 00:01:08,470 --> 00:01:10,440 I don't think so good, you know? 19 00:01:10,470 --> 00:01:12,940 I'm upset all the time, Bobby. 20 00:01:16,650 --> 00:01:19,450 I need your help, Bobby. There's no way I can help you, Ray. 21 00:01:19,480 --> 00:01:22,120 Don't worry. 22 00:01:22,150 --> 00:01:25,490 I'm bringing something to the table‐‐ information. 23 00:01:26,660 --> 00:01:29,320 This guy I've been hanging with in the yard‐‐ 24 00:01:29,360 --> 00:01:32,360 he worked this job some three years ago‐‐ an armored car heist. 25 00:01:32,400 --> 00:01:36,310 A couple ex‐cops were driving. They both got killed. 26 00:01:36,330 --> 00:01:39,100 ‐ You talking about the Grandpa Car? ‐ I heard him mention that. 27 00:01:39,140 --> 00:01:42,450 That's what they called it. Now, according to him, they got away clean. 28 00:01:42,470 --> 00:01:45,810 Him and three other guys. Is this ringing any bells? 29 00:01:45,840 --> 00:01:49,440 The Grandpa Car's a real case, Ray. You got any names? 30 00:01:49,480 --> 00:01:53,210 I got a first and last on one of the guys and a street name on one of the others. 31 00:01:53,250 --> 00:01:55,820 Do you think that's worth something to the D. A.? 32 00:01:55,850 --> 00:01:58,350 I'll see what I can find out. 33 00:01:58,390 --> 00:02:02,120 You know, I don't blame you for what's happened to me, Bobby, 34 00:02:02,160 --> 00:02:06,390 but I got to get out of here. [ Pager Beeping ] 35 00:02:06,430 --> 00:02:10,300 I gotta go, Ray. That's from my job. 36 00:02:10,330 --> 00:02:13,500 Now, you tell the D.A. I got those names. 37 00:02:13,540 --> 00:02:15,910 ‐ I will. On the gate. ‐ [ Man ] Opening. 38 00:02:15,940 --> 00:02:18,640 I'll let you know. Yeah, sure. 39 00:02:18,680 --> 00:02:21,320 Go ahead. Walk out of here. 40 00:02:21,350 --> 00:02:24,390 [ Chuckles ] 41 00:03:53,000 --> 00:03:54,840 Hey. Hey, what's going on? 42 00:03:54,870 --> 00:03:56,570 Yeah, two people shot. One D. O. A. 43 00:03:56,610 --> 00:03:59,470 Perp fled on foot. Got a couple of witnesses over there. 44 00:03:59,510 --> 00:04:02,410 ‐ Yeah, what's their story? ‐ Some guy showed up, started shooting. 45 00:04:02,450 --> 00:04:05,120 Guy shot in the shoulder's just a flesh wound. 46 00:04:05,150 --> 00:04:07,520 ‐ Wanna talk to him before they take him? ‐ Yeah, what's his name? 47 00:04:07,550 --> 00:04:09,850 Samuel Velasquez. "Samwell"? 48 00:04:10,990 --> 00:04:13,660 Samuel? I'm Detective Sipowicz. 49 00:04:13,690 --> 00:04:17,030 This is Detective Simone. What can you tell us about the guy that shot you? 50 00:04:17,060 --> 00:04:20,200 Oh, it was crazy, man. Th‐This black dude, 51 00:04:20,230 --> 00:04:23,600 he comes into the store, right, and he starts screaming all this racial trash. 52 00:04:23,640 --> 00:04:26,180 Then all of a sudden, I'm shot. You were the first one shot? 53 00:04:26,200 --> 00:04:28,170 No. He shot Luis first, and then he started... 54 00:04:28,210 --> 00:04:30,150 waving the gun around, shooting everybody. 55 00:04:30,170 --> 00:04:32,470 He shot you first, man. Man, it was crazy. 56 00:04:32,510 --> 00:04:34,880 It was all happening at the same time. All you guys were in there? 57 00:04:34,910 --> 00:04:37,610 Yeah, man. He was drunk. That's how come he didn't just killed everybody. 58 00:04:37,650 --> 00:04:39,820 He was a big guy. No, he wasn't that big. 59 00:04:39,850 --> 00:04:42,480 He was medium. He was black. Real, real, real black. 60 00:04:42,520 --> 00:04:44,720 He was about 50, man. You never seen this guy before? 61 00:04:44,760 --> 00:04:47,500 Yeah, I've seen him like maybe coming out of the subway or something. 62 00:04:47,530 --> 00:04:49,800 ‐ So maybe he lives around here? ‐ Yeah, maybe. 63 00:04:49,830 --> 00:04:51,860 We're not going to find out this is about dope, right? 64 00:04:51,900 --> 00:04:55,540 You think 'cause we're boricua that means we deal dope? What's wrong with you, man? 65 00:04:55,570 --> 00:04:57,510 What's wrong with you? I got shot over here. All right. 66 00:04:57,540 --> 00:05:00,810 Take it easy, huh? James, what do you got? 67 00:05:00,840 --> 00:05:03,710 We gave the place a quick toss. We didn't come up with anything. 68 00:05:03,740 --> 00:05:05,710 These guys are half loaded. Yeah. 69 00:05:05,740 --> 00:05:08,410 ‐ You want us to start the canvass? ‐ Yeah. Keep your eyes open. 70 00:05:08,450 --> 00:05:11,490 Happens that the mariachi troupe over here is telling the truth, 71 00:05:11,520 --> 00:05:13,660 we got a nut out there with a gun. 72 00:05:13,690 --> 00:05:16,730 You guys, we're gonna have to go over to the station house. James, take my car. 73 00:05:16,760 --> 00:05:19,730 ‐ Sure. ‐ But this better not take all day, you know what I'm saying? 74 00:05:19,760 --> 00:05:22,360 Hey, your friend Luis here just got shot. 75 00:05:22,390 --> 00:05:24,490 You gonna tell me about Luis, man? I know the guy, man. 76 00:05:24,530 --> 00:05:26,760 We don't feel up to this, man, okay? You're in mourning. 77 00:05:26,800 --> 00:05:28,730 All right. I understand. 78 00:05:30,770 --> 00:05:33,270 [ Simone ] Get in here. Ayayay. 79 00:05:41,980 --> 00:05:44,710 Hey, man. I can't believe this. 80 00:05:44,750 --> 00:05:47,950 [ Simone ] Just keep looking. 81 00:05:47,990 --> 00:05:52,060 Excuse me. I‐‐ I was told downstairs this is where to make my complaint. 82 00:05:52,090 --> 00:05:54,020 Oh. Um, uh‐‐ 83 00:05:54,060 --> 00:05:56,190 Detective Medavoy can see you. Detective, you're up. 84 00:05:56,230 --> 00:05:59,470 Oh. Can I help you? Yes. I'm the victim of an assault. 85 00:05:59,500 --> 00:06:04,640 Well, right this way. Let's get some information about what happened. 86 00:06:04,670 --> 00:06:07,640 My name's, uh‐‐ My name's Peter Cahill. 87 00:06:07,670 --> 00:06:10,710 Have a seat, Mr. Cahill. Thank you. 88 00:06:10,740 --> 00:06:13,040 Uh, how badly were you hurt in this incident? 89 00:06:13,080 --> 00:06:15,890 Uh, bruises up and down my arms, 90 00:06:15,910 --> 00:06:18,480 and, uh, feel this bump. 91 00:06:18,520 --> 00:06:20,630 It's quite large. 92 00:06:20,650 --> 00:06:25,390 It looks painful. Were you struck with a foreign object? 93 00:06:25,420 --> 00:06:27,320 With a blunt‐edged sword. 94 00:06:27,360 --> 00:06:30,290 D‐Do you know the person who hit you? 95 00:06:30,330 --> 00:06:33,090 The stage actor, Raleigh Gibson. You probably know him. 96 00:06:33,130 --> 00:06:35,630 Uh, no, I don't get to the theater too much. 97 00:06:35,670 --> 00:06:37,740 Well, in the middle of the sword fight last night, 98 00:06:37,770 --> 00:06:41,270 he completely abandoned the choreography and attacked me. 99 00:06:41,310 --> 00:06:44,080 [ Sighs ] I take it you're an actor as well. 100 00:06:44,110 --> 00:06:47,180 Yeah. Last week, he nearly put my eye out. 101 00:06:47,210 --> 00:06:49,910 Did you speak to anyone at the theater about this? 102 00:06:49,950 --> 00:06:53,180 They don't want to deal with it. They tell themselves he's box office. 103 00:06:53,220 --> 00:06:56,390 They should tell the empty seats. Meanwhile, I take a nightly beating. 104 00:06:58,860 --> 00:07:02,770 Procedure, Mr. Cahill‐‐ I look into your complaint, talk to the relevant parties, 105 00:07:02,790 --> 00:07:04,830 and then there will be a decision on charges. 106 00:07:04,860 --> 00:07:07,160 I work at the Ludlow Theater. 107 00:07:07,200 --> 00:07:11,500 Ask Roland Edmunds about him. Ask Donna Stein. 108 00:07:11,540 --> 00:07:14,980 Definitely. I'll check the matter out. 109 00:07:15,010 --> 00:07:17,050 Well, uh, thank you for coming in. 110 00:07:17,080 --> 00:07:20,190 Well, I was‐‐ I was on my way to the doctor. 111 00:07:29,250 --> 00:07:32,690 May I help you? Yes, I'd like to speak to the detective in charge. 112 00:07:32,720 --> 00:07:35,020 Arthur Fancy. I'm lieutenant in charge of the squad. 113 00:07:35,060 --> 00:07:38,490 ‐ Louis Folsom. I'm pastor at Bethel A. M. E. ‐ How do you do? 114 00:07:38,530 --> 00:07:41,430 Why don't you come in? Have a seat. 115 00:07:47,440 --> 00:07:49,170 Lieutenant, 116 00:07:49,210 --> 00:07:51,850 one of my parishioners was involved in a shooting this morning. 117 00:07:51,880 --> 00:07:53,520 He says he shot two men. 118 00:07:53,550 --> 00:07:57,020 There was a multiple shooting at a bodega on Third Street. 119 00:07:57,050 --> 00:08:00,820 Sounds like the incident. So what's the man's name? 120 00:08:00,850 --> 00:08:04,650 He says when he fired the gun, he was in fear for his life. 121 00:08:04,690 --> 00:08:07,820 Well, if he was in danger, that's a very important factor. 122 00:08:07,860 --> 00:08:09,560 So, where can we find him? 123 00:08:09,590 --> 00:08:13,630 I'd like to be able to tell him I spoke with the man that he would be talking to. 124 00:08:17,770 --> 00:08:21,470 You can tell him that. So how can we find him, Pastor? 125 00:08:22,810 --> 00:08:24,850 His name is Gregory Leight. 126 00:08:24,880 --> 00:08:27,750 He's not far from here. I'll go get him. 127 00:08:27,780 --> 00:08:29,310 Okay. 128 00:08:43,330 --> 00:08:45,640 Your bodega witnesses set up? 129 00:08:45,660 --> 00:08:47,960 They want to know do they get paid if they pick out the shooter. 130 00:08:48,000 --> 00:08:50,800 It's part of dealing with their grief. 131 00:08:50,840 --> 00:08:53,750 A suspect's coming in with his minister. We'll get his statement, 132 00:08:53,770 --> 00:08:55,770 have the witnesses take a look. 133 00:08:55,810 --> 00:08:58,620 Hey, Lieu. We turned up a neighbor on the canvass. She saw a kid running down the street... 134 00:08:58,640 --> 00:09:00,580 screaming just before the shots were fired. 135 00:09:00,610 --> 00:09:02,640 [ Lesniak ] Didn't know the kid, but she saw him come out. 136 00:09:02,680 --> 00:09:04,710 Somebody's gonna have to keep these guys in the mug books. 137 00:09:04,750 --> 00:09:08,480 ‐Lieu says the shooter's coming. ‐Is that right? ‐Yeah. 138 00:09:08,520 --> 00:09:12,050 As soon as you look at the guy, James, get some fillers from the shelters for a lineup. 139 00:09:12,090 --> 00:09:15,660 And, Adrianne, run a Gregory Leight through B.C.I. I'm not sure of the spelling. 140 00:09:15,690 --> 00:09:18,330 ‐ Okay. ‐ Did the minister say how it happened? 141 00:09:18,360 --> 00:09:21,330 ‐ No, but he said the guy'd give a full statement. ‐ Can't hate a ground ball. 142 00:09:21,370 --> 00:09:23,810 Okay, I'll be there in the interview. He asked for that. 143 00:09:23,840 --> 00:09:25,840 Yeah, all right. 144 00:09:25,870 --> 00:09:28,570 Lieu. Uh, that guy Ray DiSalvo‐‐ 145 00:09:28,610 --> 00:09:31,250 The guy I grew up with, took a collar last year for moving coke. 146 00:09:31,280 --> 00:09:33,920 Yeah, worked at that rumba joint. 147 00:09:33,950 --> 00:09:36,490 He's on the inside now. Claims a guy on his tier copped to... 148 00:09:36,510 --> 00:09:39,080 sticking up the Grandpa Car with three other skells. 149 00:09:39,120 --> 00:09:41,990 Did he give any names? He says he's got a full name on one of the guys... 150 00:09:42,020 --> 00:09:44,790 and another guy's nickname. That was Roberts's case. 151 00:09:44,820 --> 00:09:46,590 The Grandpa Car? Yeah. Yeah. 152 00:09:46,630 --> 00:09:48,870 Well, see if the D. A. wants to deal. I'll call Sylvia. 153 00:09:51,030 --> 00:09:53,860 Lieu‐‐ 154 00:09:57,570 --> 00:09:59,330 This is Gregory Leight. 155 00:10:01,670 --> 00:10:05,110 Uh, he's got the gun. 156 00:10:05,140 --> 00:10:08,280 I'm Arthur Fancy. I'll take your statement with Detective Sipowicz. 157 00:10:08,310 --> 00:10:10,810 [ Simone ] I'm trying to reach A. D. A. Costas. 158 00:10:10,850 --> 00:10:14,750 Okay. I'll tell your wife that I saw you go in with the lieutenant. 159 00:10:16,860 --> 00:10:18,930 This way. 160 00:10:24,030 --> 00:10:25,990 Have a seat, Mr. Leight. 161 00:10:26,030 --> 00:10:30,430 Miles, put this in evidence lockup. Okay, Lieu. 162 00:10:37,410 --> 00:10:42,840 So, uh, your pastor said you wanted to talk to us about a shooting. 163 00:10:42,880 --> 00:10:45,910 Those drunks down at the bodega went after my son. 164 00:10:45,950 --> 00:10:48,080 Tell us what happened. 165 00:10:48,120 --> 00:10:50,990 Well, I sent him out for bread, and after about 10 minutes, 166 00:10:51,020 --> 00:10:52,990 I hear all this yelling. 167 00:10:53,020 --> 00:10:56,590 His friend comes to my door, crying and carrying on... 168 00:10:56,630 --> 00:10:58,660 and saying that Junior's in trouble. 169 00:10:58,700 --> 00:11:00,910 So what was his friend's name? Delroy. 170 00:11:00,930 --> 00:11:03,330 My wife would know his last name. 171 00:11:03,370 --> 00:11:06,580 But he was yelling that they were beating Gregory down at the bodega. 172 00:11:06,610 --> 00:11:09,110 He said, "Mr. Leight, they're beating Junior!" 173 00:11:09,140 --> 00:11:12,240 So I grabbed an old gun I keep in the house. 174 00:11:12,280 --> 00:11:15,050 And I went out in the street, and here comes my son running, 175 00:11:15,080 --> 00:11:17,450 his face all covered with blood. 176 00:11:17,480 --> 00:11:22,750 ‐ So how old is your son? ‐ Ten. Ten years old. 177 00:11:22,790 --> 00:11:25,100 There's drunks in that place. 178 00:11:25,120 --> 00:11:29,590 I told him he's never supposed to go near that filthy place! 179 00:11:29,630 --> 00:11:33,390 Just to save a half a block to the grocery. Now look at all this trouble. 180 00:11:33,430 --> 00:11:36,800 So when you saw your son, was he alone in the street? 181 00:11:36,840 --> 00:11:38,780 Was anyone chasing him? 182 00:11:38,800 --> 00:11:42,600 No, there was just somebody looking out from the bodega, but nobody was chasing him. 183 00:11:42,640 --> 00:11:45,970 And you went on to the bodega? I sent him home. 184 00:11:46,010 --> 00:11:49,810 Then I went in. Did you have your gun out? 185 00:11:49,850 --> 00:11:53,380 Not then. I said, 186 00:11:53,420 --> 00:11:57,000 "Hey. Who beat my boy?" 187 00:11:57,020 --> 00:12:00,260 And there was a lot of yelling, screaming back and forth. 188 00:12:00,290 --> 00:12:05,260 And some racial stuff. And one of them said to the other some Spanish. 189 00:12:05,300 --> 00:12:08,340 And the guy behind the counter, he grabbed beneath. 190 00:12:08,370 --> 00:12:12,010 And then the guy in the aisle started coming at me. 191 00:12:12,040 --> 00:12:14,950 And that's when I pulled out my gun. 192 00:12:14,970 --> 00:12:18,140 'Cause the guy behind the counter was going for a gun, 193 00:12:18,180 --> 00:12:20,850 and the guy in the aisle was coming at me. 194 00:12:22,450 --> 00:12:25,990 I was so upset about my boy. 195 00:12:26,020 --> 00:12:28,060 And you shot 'em both. 196 00:12:35,830 --> 00:12:38,970 I have been a longshoreman for 25 years. 197 00:12:39,000 --> 00:12:42,170 I've never even had a parking ticket. 198 00:12:46,670 --> 00:12:48,640 What do you want to do? 199 00:12:48,670 --> 00:12:51,710 Talk to the son and the friend who came and got him. 200 00:12:51,740 --> 00:12:54,980 Even if they back the father's story, he's looking at manslaughter. 201 00:12:55,010 --> 00:12:57,980 ‐ That's where I want you to start, Andy. ‐ No problem. 202 00:12:58,020 --> 00:13:00,230 Want me to run the witnesses through B. C. I.? 203 00:13:00,250 --> 00:13:03,450 They don't look like no choir boys. Yeah. 204 00:13:03,490 --> 00:13:06,130 Whoever's in with him, I'll, uh‐‐ 205 00:13:06,160 --> 00:13:08,670 I'll make sure they don't let him write nothing. 206 00:13:08,690 --> 00:13:10,990 Yeah. Okay. Thanks. 207 00:13:11,030 --> 00:13:12,990 Hey, no problem. 208 00:13:32,020 --> 00:13:33,290 [ Door Buzzes ] 209 00:13:34,850 --> 00:13:36,820 How'd the hearing go? 210 00:13:36,860 --> 00:13:40,030 It was a joke, Bobby. Judge didn't give us five minutes. 211 00:13:40,060 --> 00:13:43,590 Ray, this is Assistant D.A. Sylvia Costas. 212 00:13:43,630 --> 00:13:45,690 Ray DiSalvo. How do you do? 213 00:13:45,730 --> 00:13:48,760 Miss Costas wants to talk to you about this armored car job. 214 00:13:48,800 --> 00:13:50,930 No problem. I'm all for women's lib. 215 00:13:50,970 --> 00:13:55,270 You got the D. A. sent me away beat a mile. 216 00:13:55,310 --> 00:13:57,050 Jewish guy, big pot belly. 217 00:13:57,080 --> 00:13:59,380 Maury Abrams. I've been looking over your file. 218 00:13:59,410 --> 00:14:01,380 I meant no disrespect. 219 00:14:01,410 --> 00:14:04,410 He was doing his job. 220 00:14:04,450 --> 00:14:07,850 Mr. DiSalvo, if the information that you've offered... 221 00:14:07,890 --> 00:14:09,600 on the Grandpa Car produced arrests, 222 00:14:09,620 --> 00:14:12,520 we'd support reducing your sentence by half. 223 00:14:12,560 --> 00:14:14,930 Support? Uh‐uh. 224 00:14:14,960 --> 00:14:16,860 I'm not giving up names on support. 225 00:14:16,900 --> 00:14:18,870 She's gotta put it that way, Ray. 226 00:14:18,900 --> 00:14:22,110 What happens if you guys blow the arrest? That's not my fault if you guys screw this up. 227 00:14:22,130 --> 00:14:24,900 ‐ We won't screw it up. ‐ How do I know that, Bobby? 228 00:14:30,470 --> 00:14:33,940 ‐ Reduced by half? ‐ With the time served, that's only four more months. 229 00:14:33,980 --> 00:14:38,480 ‐ Yeah, but I didn't do nothing. I was just the lookout. ‐ Ray, Ray, Ray. 230 00:14:38,520 --> 00:14:40,290 Do you want to go through with this? 231 00:14:41,590 --> 00:14:45,200 Do I have a choice? Come on. 232 00:14:47,460 --> 00:14:49,420 Sorry. 233 00:14:53,360 --> 00:14:58,200 The guy I'm in with, his name is Jimmy Fredo. 234 00:14:59,770 --> 00:15:02,140 The guys he said he did the job with‐‐ 235 00:15:02,170 --> 00:15:04,440 one is Tommy Rotella‐‐ is the full name I got. 236 00:15:04,480 --> 00:15:07,420 And the second guy's nickname is called Bic. 237 00:15:07,450 --> 00:15:10,520 ‐ First or last name on the nickname? ‐ I don't know. 238 00:15:10,550 --> 00:15:14,850 All right, this Jimmy Fredo's the guy that you're in jail with right now. 239 00:15:14,890 --> 00:15:17,860 He gave you Tom Rotella and another guy whose nickname is Bic. 240 00:15:17,890 --> 00:15:20,220 ‐ Right. ‐ You said there were three guys on the outside. 241 00:15:21,830 --> 00:15:23,970 That's all I got. They got away clean. 242 00:15:24,000 --> 00:15:27,340 They're living good. Jimmy's doing time. I don't know the score. 243 00:15:30,200 --> 00:15:33,070 All right, Mr. DiSalvo. 244 00:15:34,510 --> 00:15:36,950 All right, Ray, we're gonna look into this. 245 00:15:36,980 --> 00:15:40,290 What, you're going to send me back upstate now? I gotta go back there? 246 00:15:40,310 --> 00:15:43,010 They'll keep you down here till we see if this all works out. 247 00:15:43,050 --> 00:15:45,990 You'll be in administrative segregation. 248 00:15:50,220 --> 00:15:52,550 But it's still jail, right? 249 00:16:01,030 --> 00:16:02,930 [ Woman ] Gregory. 250 00:16:04,070 --> 00:16:06,030 Gregory. 251 00:16:06,070 --> 00:16:08,940 The police are here. They have to ask you some questions. 252 00:16:10,270 --> 00:16:12,870 I'm Detective Sipowicz, Gregory. 253 00:16:12,910 --> 00:16:15,210 How did you get those bruises? 254 00:16:15,250 --> 00:16:17,690 ‐ Those guys hit me. ‐ Tell me the guys you mean. 255 00:16:17,720 --> 00:16:21,030 ‐ In the bodega. ‐ How come they did that? 256 00:16:21,050 --> 00:16:24,690 ‐ I don't know. ‐ He knows he wasn't supposed to be down there. 257 00:16:24,720 --> 00:16:26,720 He was supposed to go to the Korean place. 258 00:16:26,760 --> 00:16:29,320 Him and his friend didn't want to walk the extra block. 259 00:16:29,360 --> 00:16:31,460 You need to let us ask the questions, Mrs. Leight. 260 00:16:33,400 --> 00:16:35,910 We're trying to find out what happened with your dad. 261 00:16:35,930 --> 00:16:38,930 [ Exhales ] So we really need you to think about this. 262 00:16:38,970 --> 00:16:42,170 I don't know. They said it was the change. 263 00:16:42,210 --> 00:16:45,120 ‐ The change? ‐ It was for a loaf of bread. 264 00:16:45,140 --> 00:16:48,380 I had the exact change, so I put it on the counter. 265 00:16:48,410 --> 00:16:51,010 ‐ He didn't like it there. ‐ Who didn't? 266 00:16:51,050 --> 00:16:55,720 The guy behind the counter. He pushed it back at me, said put it in his hand. 267 00:16:55,750 --> 00:16:58,390 Then 20 of the cents went on the floor. 268 00:16:58,420 --> 00:17:00,760 Then the other guy come up behind me and told me to pick it up. 269 00:17:00,790 --> 00:17:04,460 And I said, "The counter guy pushed it on the floor. He should pick it up." 270 00:17:04,500 --> 00:17:06,910 Then they started beating on me, 271 00:17:06,930 --> 00:17:09,800 him and a couple other guys. 272 00:17:09,830 --> 00:17:13,070 Delroy was looking in. Then he ran. 273 00:17:13,100 --> 00:17:16,100 After a couple of minutes, I finally got out. 274 00:17:16,140 --> 00:17:18,770 And then when did you see your dad? 275 00:17:18,810 --> 00:17:23,310 Delroy run and got him. He was coming down the street. 276 00:17:23,350 --> 00:17:29,230 When he saw me, he started crying. He said, "Get home." 277 00:17:29,250 --> 00:17:31,250 Then I guess he went in the bodega. 278 00:17:33,020 --> 00:17:35,560 Do you need anything else? 279 00:17:35,590 --> 00:17:37,760 Where can we find Delroy Freeman? 280 00:17:37,800 --> 00:17:41,440 ‐ I can get you his mother's number. ‐ Delroy in trouble too? 281 00:17:41,470 --> 00:17:45,880 You're not in trouble, Gregory. Your daddy's in trouble. 282 00:17:58,980 --> 00:18:00,950 Yo, did Rico pick out the right guy? 283 00:18:00,990 --> 00:18:02,960 Don't worry about what Rico did, Tonio. 284 00:18:02,990 --> 00:18:06,870 The shade's gonna be lifted to see six people. You can see in, but they can't see out. 285 00:18:06,890 --> 00:18:09,960 If you recognize any one person, let me know who you recognize and where from. 286 00:18:09,990 --> 00:18:11,790 Yeah, yeah, all right. [ Knocks ] 287 00:18:13,630 --> 00:18:15,860 Yo, that's the guy right there. Number Four. 288 00:18:15,900 --> 00:18:17,970 ‐ That's him right there. ‐ Where do you know him from? 289 00:18:18,000 --> 00:18:20,500 He shot Luis, man. 290 00:18:20,540 --> 00:18:23,000 ‐ All but Four can go. ‐ Screw you, pendejo. 291 00:18:23,040 --> 00:18:25,110 Shut up. You takin' the juice for Luis, man. 292 00:18:25,140 --> 00:18:28,340 ‐ Go grab some coffee, all right? ‐ Yo, can I go home now, man? 293 00:18:28,380 --> 00:18:30,480 Go grab some coffee. I'll ask my lieutenant. 294 00:18:33,720 --> 00:18:37,690 Poor guy, huh? Sends his kid out for some bread? 295 00:18:37,720 --> 00:18:41,360 What kind of toss you give that bodega? We were moving pretty fast. 296 00:18:41,390 --> 00:18:44,030 All right. Keep the witnesses here. 297 00:18:44,060 --> 00:18:46,700 Get Andy, and toss it again. Okay. 298 00:18:56,580 --> 00:18:58,220 Hey, uh, Lieu. 299 00:18:58,240 --> 00:18:59,980 Listen, that sword‐fighting complaint‐‐ 300 00:19:00,010 --> 00:19:02,040 I talked to the stage manager from the theater, 301 00:19:02,080 --> 00:19:04,980 and he said absolutely this famous actor guy was out of line. 302 00:19:05,020 --> 00:19:07,890 Okay. Yeah, he says this Gibson's like, 303 00:19:07,920 --> 00:19:10,750 you know, one of those larger‐than‐life kind of guys. 304 00:19:10,790 --> 00:19:14,190 You know, he gives everybody a hard time. Okay. Bring him in. 305 00:19:14,230 --> 00:19:17,740 Yeah, at the same time, some of the other actors said that, you know, 306 00:19:17,760 --> 00:19:22,660 you always get bruised up doing stunts and such in a performance. 307 00:19:22,700 --> 00:19:26,530 Also, according to them, the complainant was rather stiff in that scene, 308 00:19:26,570 --> 00:19:30,870 which angered the other guy, who's high‐strung with very high standards. 309 00:19:30,910 --> 00:19:33,370 Look, what do you want to do with the complaint, Greg? 310 00:19:33,410 --> 00:19:36,880 I figured I'd, uh, bring the other guy in. Good. Do that. 311 00:19:45,060 --> 00:19:47,230 You okay, boss? 312 00:19:47,260 --> 00:19:51,090 A decent guy shaping to get screwed in this bodega homicide. 313 00:19:51,130 --> 00:19:53,600 ‐ Gentlemen. ‐ How's it going, Roberts? 314 00:19:53,630 --> 00:19:57,470 Okay, Medavoy. You still lobbing scuds at the P. A. A.? 315 00:19:58,900 --> 00:20:02,200 ‐ I'll keep you posted, Lieu. ‐ Yeah. 316 00:20:02,240 --> 00:20:05,370 We might have something on the Grandpa Car. 317 00:20:05,410 --> 00:20:08,540 Yeah. Bobby Simone asked me to come in. 318 00:20:08,580 --> 00:20:11,210 He said you had some action on that. There he is. 319 00:20:11,250 --> 00:20:13,580 He'll run it for you. How's your family, Lieu? 320 00:20:13,620 --> 00:20:16,920 Good. You know how yours is doing? 321 00:20:16,960 --> 00:20:20,200 Yeah. They're good. 322 00:20:25,030 --> 00:20:28,730 Mike Roberts, Bobby. Hey, Mike, thanks for coming in. 323 00:20:28,770 --> 00:20:31,510 Sure. You're looking at the Grandpa Car again, huh? 324 00:20:31,540 --> 00:20:35,310 Yeah, yeah. You know, I got a C.I. that gave up some names. 325 00:20:35,340 --> 00:20:38,740 Tryin' to see if they're live. Yeah, I hated not clearing that. 326 00:20:38,780 --> 00:20:40,850 They whack two ex‐cops. 327 00:20:40,880 --> 00:20:43,440 Mike, you did an interview on that case with a Brendan Bickles. 328 00:20:43,480 --> 00:20:46,780 Yeah, he worked for the security company. Didn't go anyplace. 329 00:20:46,820 --> 00:20:48,920 Yeah, well, see, my guy says he was in it. 330 00:20:48,950 --> 00:20:52,450 Well, shame on me then. I think I talked to him... 331 00:20:52,490 --> 00:20:54,790 in the Garfield over on 23rd. Right. 332 00:20:54,830 --> 00:20:57,770 D.M.V. still shows him over there. We're going to pick him up. 333 00:20:57,800 --> 00:21:00,170 Anything I can push him with that didn't get into your five? 334 00:21:00,200 --> 00:21:01,960 You know, did he gamble? Use? 335 00:21:02,000 --> 00:21:06,000 I only talked to him off working for the company. I had no reason to like the guy. 336 00:21:06,040 --> 00:21:10,350 My C.I. also gave up a Jimmy Fredo, Tom Rotella. That do anything for you? 337 00:21:10,370 --> 00:21:14,180 Nothing. Neither one. Well, thanks for coming in. 338 00:21:14,210 --> 00:21:16,550 I remember talking to this Bic. 339 00:21:16,580 --> 00:21:18,610 You know, the Garfield Hotel. 340 00:21:18,650 --> 00:21:21,020 You know, many as you did, it's crazy how you can remember. 341 00:21:21,050 --> 00:21:23,220 Yeah. I appreciate your coming in, Ray. 342 00:21:23,250 --> 00:21:26,390 Hey, I hope you collar up on this. 343 00:21:26,420 --> 00:21:29,790 Listen, opportunity presents itself, 344 00:21:29,830 --> 00:21:33,630 you might ask does your lieutenant plan on lightening up on me... 345 00:21:33,670 --> 00:21:36,610 before the new century. 346 00:21:38,070 --> 00:21:39,840 Take care. All right, Mike. 347 00:21:39,870 --> 00:21:41,540 Thanks. Okay. 348 00:21:58,220 --> 00:22:01,760 Clerk said he went to get some smokes. He'll be back in a few minutes. 349 00:22:01,790 --> 00:22:04,190 Didn't I hear about this Roberts? Had a junkie girlfriend. 350 00:22:04,230 --> 00:22:06,700 Yeah, she killed herself. 351 00:22:06,730 --> 00:22:08,700 I was driving for the commissioner then, 352 00:22:08,730 --> 00:22:11,500 but, uh, they said they caught him cleaning out her place. 353 00:22:11,540 --> 00:22:14,050 Roberts was robbing her apartment? No, no. He was married. 354 00:22:14,070 --> 00:22:18,540 So he was trying to get rid of pictures. Anything that could put him with her. 355 00:22:18,580 --> 00:22:22,050 That's Bic. Not much to look at, huh? 356 00:22:22,080 --> 00:22:23,980 Yeah. 357 00:22:25,920 --> 00:22:28,660 Check this out over here. That's the rat squad. 358 00:22:30,050 --> 00:22:33,220 ‐ I. A. B.'s sitting on us? ‐ What is up with that? 359 00:22:33,260 --> 00:22:35,500 I'll be right back. 360 00:22:43,230 --> 00:22:45,300 You need me, Martens? 361 00:22:45,340 --> 00:22:47,210 Why, you got a guilty conscience? 362 00:22:47,240 --> 00:22:49,740 ‐ Answer the question. ‐ We're picking up a suspect. 363 00:22:49,770 --> 00:22:51,740 It's got nothing to do with you. Uh‐huh. 364 00:22:51,780 --> 00:22:55,320 There's the guy across the street. 365 00:22:55,350 --> 00:22:57,960 ‐ Hey, that's my guy. ‐ That's our guy. You back off. 366 00:23:07,430 --> 00:23:09,430 Take it easy. Get your hands up. 367 00:23:09,460 --> 00:23:11,230 I didn't do anything. Put your hands up. 368 00:23:11,260 --> 00:23:14,130 You Brendan Bickles? I didn't do anything! 369 00:23:14,170 --> 00:23:16,840 What are you worried about? He's our suspect, Simone. 370 00:23:16,870 --> 00:23:19,470 This is our suspect. We're taking him to our house. I didn't do anything. 371 00:23:19,500 --> 00:23:21,600 ‐ Shut up. ‐ He's our collar, Simone. 372 00:23:21,640 --> 00:23:24,570 Now, don't talk to him till we straighten this out. Yeah, right. 373 00:23:24,610 --> 00:23:27,040 Even if he's begging to confess. 374 00:23:41,560 --> 00:23:44,190 What the hell good are these cameras? They don't tape anything. 375 00:23:44,230 --> 00:23:47,660 Do you think they were bluffing this black guy about there being a gun back here? 376 00:23:47,700 --> 00:23:50,670 Guy sticks a gun in their face, they're gonna pretend they got one too? 377 00:23:50,700 --> 00:23:53,700 ‐Yeah, that wouldn't make sense. ‐That gun was there. They moved it. 378 00:23:53,740 --> 00:23:56,470 Cigarettes, aspirins, condoms, batteries. 379 00:23:56,510 --> 00:23:59,690 Amazing variety of merchandise they fit behind the counter of these little stores. 380 00:23:59,710 --> 00:24:03,850 Guys get tanked all day long. Start at 8:00 in the morning. 381 00:24:03,880 --> 00:24:06,650 I'm going to check the Dumpster. Yeah. 382 00:24:06,690 --> 00:24:08,630 ‐ Martinez. ‐ What do you got? 383 00:24:08,650 --> 00:24:12,520 Here. Here, you want a Popsicle? 384 00:24:12,560 --> 00:24:15,230 They were in the freezer? Yeah. Don't you keep your guns there? 385 00:24:23,170 --> 00:24:25,410 We've been on this Bickles for three months... 386 00:24:25,440 --> 00:24:27,910 and our information‐‐ he's involved with a cop. 387 00:24:27,940 --> 00:24:30,040 Our information is he's the cop killer. 388 00:24:30,070 --> 00:24:33,710 ‐ One don't leave the other out. ‐ Let's stop playing footsie. 389 00:24:33,750 --> 00:24:36,890 Come on. 390 00:24:36,920 --> 00:24:40,190 [ Sighs ] My C. I.'s name is Ray DiSalvo. 391 00:24:40,220 --> 00:24:43,080 He's doing time right now with a Jimmy Fredo, who claims... 392 00:24:43,120 --> 00:24:45,750 that he pulled the Grandpa shootings with this Bic... 393 00:24:45,790 --> 00:24:49,360 and a Tom Rotella, who's locked up right now in Ohio, 394 00:24:49,390 --> 00:24:52,860 ‐ and another guy that Ray didn't have the name on. ‐ Which would make it your turn. 395 00:24:52,900 --> 00:24:56,410 I'm not authorized to share my information. 396 00:24:57,700 --> 00:25:00,000 You know, you guys are the best. 397 00:25:00,040 --> 00:25:02,870 Look, you don't want to share information? 398 00:25:02,910 --> 00:25:05,580 This Bic isn't a cop. So my guys will run the interview... 399 00:25:05,610 --> 00:25:07,740 until it's established a cop's involved. 400 00:25:10,750 --> 00:25:12,750 Stay out of my way. 401 00:25:15,050 --> 00:25:17,420 Close the door on those bodega guys. Okay. 402 00:25:21,060 --> 00:25:23,860 ‐ Are you Delroy? ‐ I'm Louise Freeman. This is my son. 403 00:25:23,900 --> 00:25:27,310 ‐ How you doing? ‐ Delroy's interested in the wanted flyers. 404 00:25:27,330 --> 00:25:30,030 Policemen draw? Yeah, some of them. 405 00:25:30,070 --> 00:25:33,530 This is Delroy Freeman and his mom. Detective Lesniak. How do you do? 406 00:25:33,570 --> 00:25:35,540 How you doing, Delroy? 407 00:25:35,570 --> 00:25:37,440 Why don't you come on in here, Delroy. 408 00:25:37,480 --> 00:25:41,550 Take a seat right there. Okay. 409 00:25:41,580 --> 00:25:45,780 So, Delroy, you know why we brought you here? 410 00:25:45,820 --> 00:25:49,630 ‐ Junior got into a fight. ‐ Can you remember how that started, Delroy? 411 00:25:49,650 --> 00:25:52,890 Junior had to buy a loaf of bread, and we didn't go to the grocery. 412 00:25:52,920 --> 00:25:55,590 So "Junior" is Gregory Leight Jr.? 413 00:25:55,630 --> 00:25:58,600 Yes. So then they throwed his change on the floor... 414 00:25:58,630 --> 00:26:02,160 and Junior didn't like it, then all of sudden they went crazy, punching and kicking. 415 00:26:02,200 --> 00:26:04,570 Did they punch and kick you? They wasn't mad at me. 416 00:26:04,600 --> 00:26:06,940 They mad at Junior. Punching and punching. 417 00:26:06,970 --> 00:26:09,270 So I ran down the street to tell his dad, 418 00:26:09,310 --> 00:26:12,450 "You gotta do something 'cause they're gonna kill him." Is that what you said? 419 00:26:12,480 --> 00:26:15,320 You told Junior's dad they were killing him? Yeah. 420 00:26:15,350 --> 00:26:19,490 'Cause they was stomping him. So he went down with his gun and shot 'em dead. 421 00:26:19,520 --> 00:26:21,660 But I didn't see that part. 422 00:26:21,690 --> 00:26:23,660 You got to look in this bag. 423 00:26:23,690 --> 00:26:28,520 Okay. Thanks for coming down. I appreciate it. 424 00:26:28,560 --> 00:26:30,830 You take care, all right? 425 00:26:30,860 --> 00:26:33,360 I want you to tell me this all again so I can write it down. 426 00:26:33,400 --> 00:26:35,140 Okay. 427 00:26:35,170 --> 00:26:37,680 Oh, man. Oh, man. 428 00:26:37,700 --> 00:26:40,670 Is something wrong, Bic? No. No. 429 00:26:40,710 --> 00:26:43,350 You try to live your life, you get dragged off the street, 430 00:26:43,370 --> 00:26:45,840 army of people stand staring at you. 431 00:26:45,880 --> 00:26:48,620 There's nothing wrong. You know why. You've been waiting for this day. 432 00:26:48,650 --> 00:26:51,490 No, I don't. I don't know. Okay, Bic. 433 00:26:54,490 --> 00:26:57,030 This is connected with two guys who did 20 years on this job... 434 00:26:57,060 --> 00:26:59,130 before they started working security. 435 00:26:59,160 --> 00:27:02,500 Two ex‐cops who were making an armored car delivery... 436 00:27:02,530 --> 00:27:04,970 ‐ with the firm that you happened to be working. ‐ This is crazy. 437 00:27:05,000 --> 00:27:08,140 ‐ What's crazy? ‐ I had nothing to do with that robbery. 438 00:27:08,170 --> 00:27:10,580 ‐ I was talked to at the time. ‐ Look around, Bic. You think... 439 00:27:10,600 --> 00:27:13,200 anyone here thinks it's crazy liking you for those homicides? 440 00:27:13,240 --> 00:27:15,080 I can't help what you people think! 441 00:27:15,110 --> 00:27:17,880 So Jimmy Fredo is lying? 442 00:27:17,910 --> 00:27:21,810 ‐ What? ‐ And Tom Rotella, he's lying? 443 00:27:21,850 --> 00:27:25,190 'Cause they gave you up, Bic. 444 00:27:25,220 --> 00:27:27,430 They say you shot those cops. Both of them say it was you. 445 00:27:27,450 --> 00:27:30,190 No way. Forget it. No way! 446 00:27:30,220 --> 00:27:32,190 Two ex‐cops. 447 00:27:32,220 --> 00:27:34,420 You know how that means we'll go at you, right? 448 00:27:34,460 --> 00:27:37,530 Leave me alone! What, are they lying? Fredo and Rotella, 449 00:27:37,560 --> 00:27:39,600 they lying? Anyone told you that is lying. 450 00:27:39,630 --> 00:27:42,200 That's crazy what they told you! 451 00:27:42,230 --> 00:27:46,100 I don't think so. Two ex‐cops. 452 00:27:46,140 --> 00:27:49,210 And I think that you killed them. I killed no one. 453 00:27:49,240 --> 00:27:52,170 You're looking at an injection here, Bic. 454 00:27:52,210 --> 00:27:56,410 What you say in this room right now, what you say gets you a way out. Okay? 455 00:27:56,450 --> 00:27:58,760 [ Sniffling ] 456 00:28:00,590 --> 00:28:02,530 I gave them some information. 457 00:28:02,550 --> 00:28:05,020 Delivery times. 458 00:28:05,060 --> 00:28:08,730 I was nowhere near that robbery, all right? 459 00:28:08,760 --> 00:28:12,090 [ Martens ] Give up Ernie Kowalski. 460 00:28:12,130 --> 00:28:16,100 You give up the cop, and you'll skate. 461 00:28:17,970 --> 00:28:23,810 You get me a lawyer, and you put that in writing, and then we'll talk. 462 00:28:23,840 --> 00:28:25,940 That's it. 463 00:28:31,480 --> 00:28:33,780 He was gone. I had him. You didn't have to give him squat. 464 00:28:33,820 --> 00:28:36,480 ‐You'd have got the two in jail. ‐I would have had him for the package. 465 00:28:36,520 --> 00:28:38,890 If I had that cop's name, I could've moved him for it all. 466 00:28:38,920 --> 00:28:44,630 ‐Who's the riding D. A.? ‐You give this guy a walk before you trust me to do my job? 467 00:28:44,660 --> 00:28:47,100 'Cause I'm not as good as you, Martens? You only trust I. A. B. 468 00:28:47,130 --> 00:28:50,000 Hey! 469 00:28:50,030 --> 00:28:52,270 You trust any of us? 470 00:28:53,870 --> 00:28:56,940 Who's the riding D. A.? 471 00:28:56,980 --> 00:28:58,920 Costas. 472 00:28:58,940 --> 00:29:02,680 I'll call her. I'll get this guy someone from Legal Aid. 473 00:29:02,710 --> 00:29:05,210 I had him. 474 00:29:09,450 --> 00:29:13,250 How long am I going to have to be here? Someone call my agent. 475 00:29:13,290 --> 00:29:16,160 Mr. Gibson, if you'll just cooperate, things will go a lot easier. 476 00:29:16,190 --> 00:29:19,360 Strange men in little suits appear at the door of your dressing room... 477 00:29:19,400 --> 00:29:23,340 and suddenly you're in some... dirty office, no one knows why. 478 00:29:24,640 --> 00:29:26,540 It's Pinter. 479 00:29:26,570 --> 00:29:29,970 God, is that Raleigh Gibson? I don't know. 480 00:29:32,240 --> 00:29:34,640 My God, it is Raleigh Gibson. 481 00:29:35,810 --> 00:29:38,650 I gotta get my Brownie. 482 00:29:38,680 --> 00:29:43,180 Mr. Gibson, I'd like you to make a statement regarding Mr. Cahill's complaint. 483 00:29:43,220 --> 00:29:45,220 Statement? 484 00:29:45,260 --> 00:29:48,470 The little turd got just what was coming to him. 485 00:29:48,490 --> 00:29:50,360 Where do I sign? Mr. Gibson, 486 00:29:50,390 --> 00:29:52,690 did you strike Mr. Cahill with a broadsword? 487 00:29:52,730 --> 00:29:57,370 I was acting, Detective. Are you aware of the distinction between theater and reality? 488 00:29:57,400 --> 00:30:01,700 So you're saying that you‐‐ y‐you didn't intend to harm him. 489 00:30:01,740 --> 00:30:04,410 I intended to kill him, in the context of the scene. 490 00:30:04,440 --> 00:30:06,510 His intention should have been to defend himself. 491 00:30:06,550 --> 00:30:11,520 But you have been hitting Mr. Cahill with a sword. You admit that. 492 00:30:11,550 --> 00:30:14,580 [ Sighs ] I was trying to engage him, to make him commit... 493 00:30:14,620 --> 00:30:17,850 instead of drifting about the stage in a terrified haze. 494 00:30:17,890 --> 00:30:20,390 Truth to tell, I was doing the bloody fool a favor. 495 00:30:20,420 --> 00:30:22,920 By hitting him? Detective, 496 00:30:24,230 --> 00:30:27,860 Mr. Cahill shows some mild promise as an actor. 497 00:30:27,900 --> 00:30:31,070 By bringing charges, which can serve only to curtail his career, 498 00:30:31,100 --> 00:30:33,500 he demonstrates a staggering lack of imagination. 499 00:30:33,540 --> 00:30:36,880 I intended to provoke him. I meant him no harm. 500 00:30:36,910 --> 00:30:40,210 Now, with due respect, 501 00:30:40,240 --> 00:30:43,210 the very limited appeal this conversation has for me is now exhausted. 502 00:30:43,250 --> 00:30:45,260 May I go? 503 00:30:46,650 --> 00:30:49,020 Uh, I don't know if charges will be laid. 504 00:30:49,050 --> 00:30:51,120 I have to talk with my boss. 505 00:30:51,160 --> 00:30:53,630 In the outcome, you obviously know where to find me. 506 00:30:53,660 --> 00:30:57,130 Mr. Gibson‐‐ Uh, I'm sorry for intruding. 507 00:30:57,160 --> 00:30:59,800 But I am such a fan. Would you mind? 508 00:30:59,830 --> 00:31:02,400 Um, Miss Abandando‐‐ 509 00:31:02,430 --> 00:31:05,130 Sure. 510 00:31:05,170 --> 00:31:07,100 Right here. 511 00:31:07,140 --> 00:31:11,170 I may soon be posing with little numbers across my chest. 512 00:31:17,250 --> 00:31:19,880 You guys hold me forever just 'cause I'm on parole? 513 00:31:19,920 --> 00:31:21,820 That's my boss. 514 00:31:21,850 --> 00:31:24,820 We're going to talk about this morning again, Rico. 515 00:31:24,860 --> 00:31:27,900 The guy came in shooting. He killed Luis. Okay? 516 00:31:27,930 --> 00:31:30,240 How many times do you need to hear it? Start with the assault. 517 00:31:30,260 --> 00:31:34,000 ‐ He came looking to fight. ‐ Start when you beat his son. That assault. 518 00:31:34,030 --> 00:31:37,800 ‐ Nobody beat his son. ‐ That man sent his boy out for a loaf of bread, 519 00:31:37,840 --> 00:31:39,850 and you and your friends kicked him around. 520 00:31:39,870 --> 00:31:43,340 You're gonna get collared for that, and then we're gonna violate your parole. 521 00:31:43,370 --> 00:31:46,840 Man, I don't believe this. You owe, what, three years on your last bit? 522 00:31:46,880 --> 00:31:50,180 What, you think you can kick this kid around without getting your parole violated? 523 00:31:50,210 --> 00:31:54,620 I wasn't even back there. I was standing on the aisle. 524 00:31:54,650 --> 00:31:57,690 Okay. Okay, now we're gonna deal with the guns. 525 00:31:57,720 --> 00:32:00,060 Gun? There wasn't no guns, man. 526 00:32:05,400 --> 00:32:10,010 There were guns. You stashed them in the freezer. 527 00:32:10,030 --> 00:32:12,430 We're sending these to the lab, Rico. 528 00:32:12,470 --> 00:32:15,900 ‐ They lift your prints, you're done. ‐ I wasn't even back there. 529 00:32:17,540 --> 00:32:20,310 I threw one afterwards. That's how my prints got on. 530 00:32:20,340 --> 00:32:23,680 From throwing it in the freezer. Luis yelled. 531 00:32:23,720 --> 00:32:25,790 Samuel went for the gun. I'm only a witness. 532 00:32:25,820 --> 00:32:27,860 ‐ Give it up then. ‐ What did Luis yell? 533 00:32:29,650 --> 00:32:33,690 To Samuel. He said, "Kill him." Mรกtalo. 534 00:32:33,730 --> 00:32:37,170 He told him in Spanish. 535 00:32:43,670 --> 00:32:46,670 [ Fancy ] What you write now is going to be as important for... 536 00:32:46,710 --> 00:32:51,580 how you live the rest of your life as what happened this morning. 537 00:32:51,610 --> 00:32:55,340 You need to give a clear picture of what you saw and did... 538 00:32:55,380 --> 00:32:57,850 and what you were feeling as things took place. 539 00:32:57,880 --> 00:33:01,850 If you were afraid for your son, and your own fear once you were inside, 540 00:33:01,890 --> 00:33:04,700 then that's something you should talk about. 541 00:33:04,720 --> 00:33:07,390 I was afraid. And I was angry. 542 00:33:11,730 --> 00:33:14,200 If your fear was the most important thing, 543 00:33:14,230 --> 00:33:16,870 if it guided your actions, 544 00:33:16,900 --> 00:33:19,400 then that's definitely something you should say. 545 00:33:19,440 --> 00:33:23,110 You don't want to clutter it up‐‐ 10 different feelings. 546 00:33:23,140 --> 00:33:25,370 To be afraid for your life, 547 00:33:25,410 --> 00:33:29,850 and what made you feel that way, the specific events. 548 00:33:29,880 --> 00:33:32,680 ‐ When he reached under the counter. ‐ The shouting. 549 00:33:32,720 --> 00:33:35,290 Hearing the other man shout to him, 550 00:33:35,320 --> 00:33:37,290 then seeing the man behind the counter‐‐ 551 00:33:37,320 --> 00:33:42,060 Uh‐huh. I didn't see the gun, but I knew he was going for it. 552 00:33:42,090 --> 00:33:44,890 You knew from what the other guy shouted. 553 00:33:46,000 --> 00:33:48,710 The other man shouted "kill him," 554 00:33:48,730 --> 00:33:51,130 so you knew the counterman was reaching for a gun, 555 00:33:51,170 --> 00:33:53,470 that that's what he had shouted in Spanish. 556 00:33:58,240 --> 00:34:03,910 For the district attorney to know that you understood the expression, 557 00:34:03,950 --> 00:34:07,280 that you knew "mรกtalo" meant "kill him" in Spanish, 558 00:34:07,320 --> 00:34:10,450 and that put you in fear for your life. 559 00:34:10,490 --> 00:34:14,260 That's big, your understanding that. 560 00:34:20,600 --> 00:34:23,000 That's why I was afraid. 561 00:34:23,030 --> 00:34:25,100 He was reaching for the gun... 562 00:34:25,140 --> 00:34:28,680 'cause the other fellow shouted "kill him." 563 00:34:28,710 --> 00:34:32,220 ‐ In Spanish. ‐ Mรกtalo. 564 00:34:34,680 --> 00:34:36,880 Mรกtalo. 565 00:34:58,840 --> 00:35:01,210 Present in the room, Detective Kowalski, 566 00:35:01,240 --> 00:35:05,840 assigned to Narcotics Division, his counsel and a union delegate. 567 00:35:05,880 --> 00:35:08,620 Also present, Sergeants Laski and Martens... 568 00:35:08,650 --> 00:35:10,620 with the Internal Affairs Bureau. 569 00:35:10,650 --> 00:35:13,550 Detective, you acknowledge being given your rights? 570 00:35:13,590 --> 00:35:15,860 Yes. 571 00:35:15,890 --> 00:35:19,530 Detective Kowalski, do you know a Jimmy Fredo, 572 00:35:19,560 --> 00:35:21,890 a Tom Rotella or a Brendan Bickles? 573 00:35:23,260 --> 00:35:25,290 I decline to answer that... 574 00:35:25,330 --> 00:35:27,330 as is my right under the Fifth Amendment. 575 00:35:27,370 --> 00:35:31,210 Your name has come up in connection with an armored car robbery... 576 00:35:31,240 --> 00:35:34,050 that took place September 9, 1992. 577 00:35:34,070 --> 00:35:36,970 ‐ What was your involvement in that incident? ‐ I decline to answer. 578 00:35:37,010 --> 00:35:40,480 And accomplish what? You decline an answer if you know guys that we know you know? 579 00:35:40,510 --> 00:35:43,040 ‐ What, you think I'm an asshole? ‐ That one I'll answer. 580 00:35:43,080 --> 00:35:46,850 No, you won't. 581 00:35:46,890 --> 00:35:49,190 You realize if you fail to answer, under G.0.‐15, you're suspended. 582 00:35:49,220 --> 00:35:51,550 I'll live. 583 00:35:52,720 --> 00:35:55,690 Detective Kowalski, you're now suspended. 584 00:35:55,730 --> 00:35:58,100 I'll relieve you of your shield and your weapon. 585 00:36:02,870 --> 00:36:05,740 ‐ Can he go now? ‐ No. 586 00:36:06,870 --> 00:36:09,200 I'm placing him under arrest. What? 587 00:36:09,240 --> 00:36:11,110 [ Martens ] Stand up. 588 00:36:11,140 --> 00:36:13,540 Don't look at your lawyer for help, Kowalski. 589 00:36:13,580 --> 00:36:16,280 You thought you were walking out of here with just a suspension? 590 00:36:16,310 --> 00:36:19,550 Well, you're going to jail. Now we'll see who the asshole is. 591 00:36:30,730 --> 00:36:32,790 Oh, Mr. Cahill. 592 00:36:35,400 --> 00:36:38,200 ‐ Thanks for coming in again. ‐ Are you gonna charge him? 593 00:36:38,240 --> 00:36:41,450 Have a seat. 594 00:36:45,340 --> 00:36:49,380 My investigation, Mr. Cahill‐‐ uh, there's a basis to file for assault, 595 00:36:49,410 --> 00:36:54,220 which I doubt would get far in court, but he'd definitely be put in the system, Mr. Gibson. 596 00:36:54,250 --> 00:36:57,990 He'd be in jail briefly, with a need to make bail, so forth. 597 00:36:58,020 --> 00:36:59,990 That's what I want. 598 00:37:00,020 --> 00:37:03,260 Mr. Cahill, I'm obviously ignorant, but, um, 599 00:37:03,290 --> 00:37:07,230 couldn't filing charges like this be negative on your career outlook? 600 00:37:07,270 --> 00:37:12,510 You know, rather than some form of compromise, some try at discussion? 601 00:37:12,540 --> 00:37:14,850 There'd be no point. He‐‐ He won't stop. 602 00:37:14,870 --> 00:37:18,410 He hates me. He‐‐ He has no respect for my acting. 603 00:37:18,440 --> 00:37:21,610 He said you had promise. Who did? 604 00:37:21,650 --> 00:37:24,620 Mr. Gibson. His account was... 605 00:37:24,650 --> 00:37:26,920 you were promising on stage, but in a haze, 606 00:37:26,950 --> 00:37:29,790 which he was trying to prod you out of. Do you think he meant it? 607 00:37:29,820 --> 00:37:31,850 Or was he just trying to avoid charges? 608 00:37:31,890 --> 00:37:35,160 No, I don't think he was too worried about the charges. 609 00:37:35,190 --> 00:37:38,330 And I'd say he was sincere about your promise, 610 00:37:38,360 --> 00:37:40,830 while seeming not to like you too much personally. 611 00:37:40,870 --> 00:37:45,380 I thought he was just trying to humiliate me, 612 00:37:45,400 --> 00:37:47,570 to show that I had no business onstage. 613 00:37:49,870 --> 00:37:52,170 We can charge third‐degree assault, Mr. Cahill. 614 00:37:52,210 --> 00:37:54,140 Do you want to go forward? 615 00:37:56,650 --> 00:37:59,680 No. No, I don't. 616 00:37:59,720 --> 00:38:01,450 All right. 617 00:38:01,490 --> 00:38:04,030 I'm sorry I took up your time. Nah. 618 00:38:04,060 --> 00:38:08,200 Actually, I enjoyed it somewhat. I had an experience in the theater. 619 00:38:08,230 --> 00:38:11,370 Well, thank you very much. Anytime. 620 00:38:13,400 --> 00:38:15,810 Banquo? Excuse me? 621 00:38:15,830 --> 00:38:18,830 I‐‐ I saw you at the Public in the Scottish play. 622 00:38:18,870 --> 00:38:22,940 ‐ Thank you for the evening. ‐ You're welcome. 623 00:38:25,780 --> 00:38:27,550 He was really good. 624 00:38:31,250 --> 00:38:33,680 How much of this is corroborated? 625 00:38:33,720 --> 00:38:35,820 The son's being beaten was witnessed. 626 00:38:35,850 --> 00:38:40,490 Plus the friend confirms telling the father he thought the kid was being killed. 627 00:38:40,520 --> 00:38:42,520 A witness in the bodega corroborates... 628 00:38:42,560 --> 00:38:45,560 one of the victims shouted in Spanish for the counterman to kill Leight. 629 00:38:45,600 --> 00:38:48,040 ‐ Mรกtalo. Which Leight understood. ‐ Yeah. 630 00:38:48,070 --> 00:38:51,680 ‐ And you recovered the weapon the counterman reached for? ‐ Yeah. 631 00:38:51,700 --> 00:38:53,670 The grand jury's gonna have to look at this, 632 00:38:53,710 --> 00:38:55,880 but I doubt that we'll wanna indict this man. 633 00:38:55,910 --> 00:38:59,050 ‐ He might get charged with the unregistered gun. ‐ Thanks, Sylvia. 634 00:39:03,410 --> 00:39:06,750 I'll tell this guy her impression, huh? Yeah. All right. 635 00:39:21,630 --> 00:39:24,930 Try and follow this. 636 00:39:24,970 --> 00:39:28,740 By me not giving up that name, that's supposed to make your life easier. 637 00:39:28,770 --> 00:39:30,940 You don't have Kowalski's name, 638 00:39:30,980 --> 00:39:33,590 even if you and him went through the academy together, 639 00:39:33,610 --> 00:39:36,580 your partner bowls with him, you had pizza once on retreat, 640 00:39:36,620 --> 00:39:38,760 any pals you might be where you'd want to protect him, 641 00:39:38,780 --> 00:39:40,950 you don't got to make that mistake. 642 00:39:40,990 --> 00:39:43,800 You're looking out for me. You're keeping me from temptation. 643 00:39:43,820 --> 00:39:47,060 Crack wise all you want. If you would've queered that interview with Bic, 644 00:39:47,090 --> 00:39:49,090 and you had Kowalski's name, 645 00:39:49,130 --> 00:39:51,000 then I gotta come looking at you. Yeah. 646 00:39:51,030 --> 00:39:54,230 Well, thanks for being in my corner. Look, 647 00:39:54,270 --> 00:39:58,180 no one's always a liar, and no one's always corrupt. 648 00:39:58,200 --> 00:40:01,840 Everything is a situation. You keep people out of situations, 649 00:40:01,870 --> 00:40:04,510 and you keep them out of trouble. 650 00:40:07,280 --> 00:40:11,010 I just hope that my informant don't lose out on his sentence reduction... 651 00:40:11,050 --> 00:40:14,020 because you people took over the case. 652 00:40:14,050 --> 00:40:16,050 Why is that funny? 653 00:40:17,520 --> 00:40:19,690 Who do you think our informant was? 654 00:40:19,720 --> 00:40:21,690 Your buddy, DiSalvo, 655 00:40:21,730 --> 00:40:25,470 he shopped us this package three months ago with all the names. 656 00:40:25,500 --> 00:40:28,010 He came to you when he got afraid we weren't moving. 657 00:40:28,030 --> 00:40:31,030 He left Kowalski out because he knew you'd have to notify us. 658 00:40:32,040 --> 00:40:34,050 Yeah, okay. 659 00:40:34,070 --> 00:40:36,140 You might want to know‐‐ 660 00:40:37,640 --> 00:40:40,340 he shopped you to us too. 661 00:40:40,380 --> 00:40:42,840 Said you reached out to an arresting cop on a coke collar. 662 00:40:42,880 --> 00:40:44,850 Got the cop to let him walk. 663 00:40:44,880 --> 00:40:46,850 [ Scoffs ] 664 00:40:46,890 --> 00:40:48,830 So where am I with that? 665 00:40:48,850 --> 00:40:51,790 You're all right. 666 00:40:51,820 --> 00:40:54,790 I looked into it. 667 00:40:54,830 --> 00:40:57,240 Everything's a situation. 668 00:41:14,050 --> 00:41:16,090 [ Clears Throat ] You worked that good. 669 00:41:16,110 --> 00:41:20,480 ‐ Yeah, I felt like he deserved a break. ‐ Yeah. 670 00:41:20,520 --> 00:41:24,220 Not 'cause of who he was. Straight up. 671 00:41:26,360 --> 00:41:30,700 You mean, that wasn't one of those affirmative action investigations? 672 00:41:30,730 --> 00:41:33,060 ‐ No. ‐ No. 673 00:41:33,100 --> 00:41:36,580 I didn't think so. Good night. 674 00:41:37,640 --> 00:41:40,250 Good night. You worked that good too. 675 00:41:58,490 --> 00:42:00,890 [ Door Buzzes ] Bobby. 676 00:42:07,630 --> 00:42:10,230 They collared those guys, Ray. 677 00:42:10,270 --> 00:42:13,940 One of them confessed. Is that right? 678 00:42:13,970 --> 00:42:15,900 That's‐‐ That's great. 679 00:42:15,940 --> 00:42:18,070 Yeah. 680 00:42:18,110 --> 00:42:21,640 And you know that third guy, the one that you didn't have the name on? 681 00:42:21,680 --> 00:42:26,050 Turns out he was a cop. He's behind the whole thing. 682 00:42:26,080 --> 00:42:30,220 Huh. Interesting. 683 00:42:30,250 --> 00:42:33,960 ‐ Guy's name is Kowalski. ‐ Uh‐huh. 684 00:42:33,990 --> 00:42:37,960 Of course you knew that already, right, Ray? 685 00:42:38,000 --> 00:42:39,740 And you made me the jerk holding it back. 686 00:42:39,760 --> 00:42:42,060 Whoa, now, that was not my intention. 687 00:42:42,100 --> 00:42:47,000 Your intention was playing all the angles for yourself. 688 00:42:47,040 --> 00:42:49,570 I spoke to police Internal Affairs several months ago, 689 00:42:49,610 --> 00:42:51,810 but they disappeared from the picture. 690 00:42:51,840 --> 00:42:54,680 I never heard from them. That was a free ball what I gave you. 691 00:42:54,710 --> 00:42:58,180 Ray‐‐ They were sitting on that cop, Ray. 692 00:42:58,220 --> 00:43:01,330 They moved the same time that we did. 693 00:43:01,350 --> 00:43:04,490 ‐ I had no knowledge of that. ‐ Neither did I. You didn't give it to me. 694 00:43:04,520 --> 00:43:07,820 Oh, come on, Bobby. I know how cops feel about collaring their own. 695 00:43:07,860 --> 00:43:10,360 ‐ I wanted to spare you that. ‐ [ Laughs ] 696 00:43:12,660 --> 00:43:14,560 You would say anything, Ray, huh? 697 00:43:16,000 --> 00:43:18,670 "The moon is made of green cheese." 698 00:43:18,700 --> 00:43:21,170 Hey, I don't like the tone of this. 699 00:43:21,210 --> 00:43:23,950 Now, my information produced arrests. 700 00:43:23,980 --> 00:43:26,380 I.A.B.'s collaring. You should look to them to deliver. 701 00:43:26,410 --> 00:43:28,210 Just a minute. Just a minute now! 702 00:43:28,250 --> 00:43:30,220 You people better not welsh! 703 00:43:30,250 --> 00:43:34,350 Maybe you can sweeten the pot with I.A.B. You can offer 'em me again. 704 00:43:34,390 --> 00:43:38,660 Offer them you? What are you talking about, Bobby? 705 00:43:38,690 --> 00:43:41,360 Ray, let me tell you something. 706 00:43:41,390 --> 00:43:45,490 I know who offered me to them, all right? 707 00:43:45,530 --> 00:43:49,530 You stand there right now and lie to me, I will break your jaw! 708 00:43:49,570 --> 00:43:53,740 Oh, my God. My God. I'm going to be screwed. I know it. 709 00:43:53,770 --> 00:43:56,610 You're going to stick the knife in me, aren't you, Bobby? 710 00:44:01,410 --> 00:44:05,710 No, Ray. You are gonna get your deal. 711 00:44:07,350 --> 00:44:10,350 I am? Oh! 712 00:44:10,390 --> 00:44:13,390 I am so grateful. Move your hands. 713 00:44:16,190 --> 00:44:19,860 Yeah, sure. I understand. 714 00:44:19,900 --> 00:44:23,000 I just ask that you would understand as well about me giving you up. 715 00:44:23,030 --> 00:44:25,730 I mean, I‐‐ I was in a situation, Bobby. 716 00:44:33,710 --> 00:44:35,710 Hey, Ray, I‐‐ 717 00:44:44,220 --> 00:44:48,360 I don't want to see you on the outside, Ray, all right? 718 00:44:48,390 --> 00:44:51,430 I don't care what your situation is. 719 00:44:51,460 --> 00:44:53,230 On the gate. 720 00:44:54,730 --> 00:44:56,800 [ Door Buzzes ] 721 00:44:57,840 --> 00:44:59,580 I'm sorry, Bobby. Y‐‐